Paperback, 384 pages
Published Aug. 9, 2022 by Tor Books.
Loved the book. It is original, creative and heartwarming. Both characters and story take you through the world of donuts, music, Southern California, and the galaxy in a really unique way. Many complex topics were discussed evoking emotions including but not limited to: disgust, hope, humor, joy, etc. The story and characters carry this book. Glad I bought a hard copy!!
I had a problem getting used to the writing style at first, but as I got used to it I could see the beauty of the story
This is the best book I've read of the year. Absolutely Fantastic.
I can't remember the last time I read a novel that I felt so much. I love the characters, particularly the three central women, I love the story, wild though it is, I love the descriptions, and I love the ending. I felt invested in the characters' lives, particularly Katrina's, in a way I rarely do.
I'm not sure I can unequivocally recommend it, though. Ryka Aoki doesn't shy away from showing how hard Katrina's life is. The first few chapters are particularly tough going, but even when things pick up for her, it's still not all beer and skittles. Not sure I could provide a definitive list of CWs, but transphobia and sexual assault would have to be in there.
Content warning Very poor ending; selling souls to hell does pay!
I accept that I'm probably not the target audience for this, but here we go... I so wanted to like this as I've seen lots of good reviews and the book does have lots of good aspects: it's nice to see Asian-American communities described so ...lovingly, the food and violin bits are well done, one of the protagonists is a trans woman. But... it's not well written (too many POV changes, too much telling and not enough showing), Bad Things Are Done directly or indirectly by main characters without accountability, characters lack agency and do things because of the authors being able to make them do things as opposed to them being sufficiently well-developed so that you think they're making their own decisions (e.g when Astrid catches Katrina at a webcam). The sciency bits are complete gibberish. The two plot strands come together very clumsily at the end (really would have benefited from omitting the intergalactic donut salespeople (and another thing, if sales are dipping, why not replicate ...money instead of donuts?) and concentrating on the violin/souls aspect). It's also heinously missold as "Good Omens meets The Long Way to a Small, Angry Planet". It's neither and is a long way from either. I think we can all agree that misgendering is pretty shit, but it doesn't need to be a capital offence; a bit of wish fulfilment perhaps? The quote in the title is said by a character to Katrina but applies to Shizuka, who really is quite a problematic character. And the book lacks empathy for others; there's Katrina, Shizuka, the Trans (get it? the TRANS!) and a few others, but many other people in the book don't rise above NPC level and can be treated accordingly. I feel my blood pressure rising, so I'll stop, but before I do, maybe the book needs content warnings for sexual assault, transphobia, racism and homophobia among others.
In a way this reminds me of Charlie Jane Anders’ All The Birds In The Sky. It’s not often you get a book that manages to tie in not only a lot of LGBT issues but also refugees from outer space and demons with contracts for people’s souls and yet make it all seem like a relaxed and natural world to be in. Obviously it’s a book all about the characters and the choices they make and have made. Very enjoyable and enlightening to ride along with a very foreign perspective from my default one for a while.
I enjoyed so much of this book. The prose was beautiful in parts and genuinely stirring. But I expected it was building to a stronger ending than what it ultimately delivered.
